GAR Gallery
The GAR Gallery is open to the public
Tuesday - Saturday
11am - 4pm
A Net Cast for Something Like Hopefulness


Sallie Barbee
Kristina Estell
David Feil
Elizabeth Glaessner
Curran Hatleberg
John Hodany
Colin Hunt
Anthony Madrid
Manuel Rodriguez-Delgado
Dan Schmahl
Jean Shon
Andrew Wilson


 ~

March 8th, 2025 - May 10th, 2025


Past Exhbitions
Regeneration   by  Marie Leterme
November 30th, 2024 - February 15th, 2025





"The memories evoked, emotions relived, imagination and humor freed,

answers to old questions and wishes,

recurrent dreams and nightmares,

​it's all there."


Born in Belgium, Leterme attended University of Leuven, Belgium and Catholic University in Paris. Having emigrated to Houston and without a formal art education Leterme discovered the joy of art making in the ceramic sculpture classes of artist Otis Huband in the early 70’s, followed by Ceramics and Printmaking classes at the Glassell.  

After spending most of 1979 and 1980 in Belgium including a residency at the Frans Masereel Center for Graphics, and exhibitions of etchings and ceramic sculpture in Charleroi and Oostende, Leterme returned to Houston where she founded Atelier1513 an Etching Studio and Gallery, in Rice Village in 1981. She taught printmaking workshops at the Art League of Houston, Hill Country Arts Foundation, and her own Atelier1513. From 1983 to 1992 Leterme printed editions for several artists including Knox Martin, John Pavlicek, Benito Huerta, Steven Besselman and architect Charles Moore.

In 1999 she moved her studio to the 1891 Oshman building in Galveston where she continued teaching  many monotype workshops. 

Leterme’s prints and sculpture have been shown in Solo exhibitions at the Dishman, Beaumont-1996,  Galveston Arts Center-2013 and 2000, and the Jung Center- 2004 in Houston, along with juried group exhibitions, including the Grace Museum, Abilene, Tx., the O’Kane gallery, Lawndale Arts Center, the Holocaust Museum, Houston, the Big Medium, Austin, TX. Leterme’s work is included in private collections in Europe and the USA.

Selections From the Collection 
of Engineer Rolf Pessier












IT IS A GOOD PROJECT AND SHOULD BE BUILT

by Fred Schmit-Arnales




IT IS A GOOD PROJECT AND SHOULD BE BUILT by Fred Schmidt-Arenales 
is a three channel video installation, on view in the GAR main gallery space.


Fred Schmidt-Arenales is an artist and filmmaker. His projects attempt to bring awareness to unconscious processes on the individual and group level. He has presented films, installations, and performances internationally at venues including SculptureCenter and Abrons Arts Center, (New York), Links Hall (Chicago), The Darling Foundry (Montreal), LightBox and The Institute of Contemporary Art (Philadelphia), Artspace (New Haven), The Museum of Fine Arts and FotoFest (Houston), Künstlerhaus Halle für Kunst und Medien (Graz), and Kunsthalle Wien (Vienna). His recent film Committee of Six is an official selection of the 2022-23 Architecture and Design Film Festival and was awarded a jury prize for best film at the 2023 Onion City Experimental Film Festival.

The Last Sky: Looking for Ghosts

by Juan Juarez




The Last Sky: Looking for Ghosts by Juan Juarez includes 10 works on view in the GAR Gallery small projects space.

Juan Juarez has exhibited in galleries and museums such as the Milwaukee Art Museum (Milwaukee), Haggerty Museum of Art (Milwaukee), Palazzo Trevisan degli Ulivi & Rio Terra San Vio (Venice), Aspex Gallery (Portsmouth), Los Angeles Center for Digital Art (Los Angeles), Everson Museum of Art (Syracuse), and Gallery 400 at University of Illinois-Chicago (Chicago).
2023 - 2024 Artists in Residence Exhibition
Crasis

(Andy Davis & Anne Lukins)
Preston Gaines

Devin T. Mays


May 18th - July 12th, 2024


SO WHAT
by Masha Sha

March 2, 2024 - April 27, 2024



For this exhibition at the GAR Gallery, Masha Sha has created, new large scale graphite and crayon drawings on tracing paper. The images are made up of thousands of small expressive marks that culminate in a single word or phrase. Excavating new meaning from familiar words and phrases is the energizing force behind these drawings.


In the making of the drawings for this show, the artist’s mind was engaged with the following questions:

          How to withstand a violent constant wave of time,
          which is permanently closing on you?

           How is it to be at the place where instant / immediate clashes with infinite / total?

           How daydreaming and diffused concentration on intent
           and meaning are saving graces to withstand the permanent pull in infinite directions?


Masha Sha was born in Chukotka, RU in 1982. She graduated from Pro Arte Institute, St. Petersburg, RU (2005), and received an MFA from the University at Buffalo, NY with the Fulbright scholarship (2010). Masha then completed The L. Jeffrey Selznick School of Film Preservation in Rochester, NY (2011). She received the International Award of Recognition from STRABAG in Vienna, Austria (2014) as well as the Young Artist Prize Innovation in Moscow, Russia (2006). She has participated in many exhibitions and projects, as well as a few residences, including Yaddo and Roswell Artist-in-Residence Program. Masha has works in many private and public collections including the Russian Museum in Saint-Petersburg, the Moscow Museum of Contemporary Art, and Anderson Museum of Contemporary art in Roswell, NM. Masha currently lives in Roswell, New Mexico.




Offshore
by James Elaine

GAR Gallery Project SpaceMarch 2, 2024 - April 27, 2024



"These small 2020-2023 paintings begin as cutting boards underneath papers and felts as I cut out shapes for larger paintings. The 'blind' razor cuts produced on these boards are the beginnings of new independent works. The cut lines are purely non objective but contain vestiges of the process of making other works. I try to uncover what used to be and create something new by adding layer upon layer of different types and colors of paint, sometimes mixing them together on the boards so that the different solutions react to one another in unexpected ways. The layering of paint covers up or erases what was before. In between the layering of paints I enhance certain cut lines with graphite, ink, or metallic paint then sand the surface down revealing hazy images of previous layers. This process repeats itself until I decide to stop."
                                                                            -  James Elaine


A specific focus of James Elaine's work is the act of reclaiming and restoring to a new identity what is lost, forgotten, or broken in life and culture. The materials reflect the body and soul of the individual as well as society as a whole. He is interested in different materials, purchased or found, that are not necessarily associated with painting or fine art, and ways to stretch mediums in new directions. Instead of starting a painting with a blank canvas many of Elaine's materials already have a history of their own, which, to some extent, directs the content of the work. 

James Elaine is an artist and curator living and working between Celeste, TX and Beijing, China. He holds a BFA from The University of North Texas, Denton. From 1989 to 2008 he served as the curator of The Drawing Center, NY and then the Hammer Museum, LA, as the Hammer Projects curator, a program Elaine founded in 1999. In 2012 he founded Telescope, a nonprofit-type gallery in Beijing, to work with and exhibit emerging artists of China and to demonstrate the benefits of a non commercial alternative system. As both an artist and curator, James Elaine fulfills a role of collaborator, and draws parallels between the two worlds. In his art practice he collaborates with the materials and imagery, and as a curator with emerging artists - helping them to find the best inside themselves as well as giving them exhibition opportunities and voice in the local and international art world.

2521 Ships Mechanic Row | Galveston, TX 77550 | info@galvestonartistresidency.org |